Antoni Gaudi – Essay

Antoni Gaudi One of Spains roughly internationally recognized creationers, Antonio Gaudi has left his play off throughout Barcelona and Catalonia. His whimsical vision and chimerical designs have brought a bit of whoremaster to this historic region. Gaudi? s culmination of conventional elements with fanciful ornamentation and brilliant expert solutions paved the way for future fashion designers to metre outside the box. Born in Reus, Catalonia in 1852, Gaudi was the first in over quadruple generations to leave the family tradition of metal establishing.As a child, Antonio never excelled in school. He suffered from arthritis, which kept his attendance low, and preferred to give-up the ghost his time observing plants and animals, as intimately as perusal forms in nature, which would in the end be so prominent in his designs. It was also during his early historic period body of working with the Escolapius Fathers that Gaudi recognized the value of the divine report o f the salvation of world through christ incarnate, given to the world by the pure Mary. He later incorporated such beliefs into his greatest work, The Sagrada Familia.Around 1870 Gaudi moved to Barcelona to study architecture at the Provincial enlighten of Architecture. His grades were again less than superior. However, the young school-age child did earn special recognition in the areas of Trial Drawings and Projects, which allowed him to put his outlandish ideas to use. His prof proclaimed that what had been produced in these two courses was all the work of an insane man or a genius. In 1878 Antoni Gaudi was one of totally four students to be granted the patronage of Architect by the school? s director.At a time of ethnical and political renaissance in Europe, Gaudi looked to numerous sources of inspiration for his work. Medieval books, Gothic art, oriental structures, the Art Nouveau movement, and, of course, the glory of nature, strongly influenced his designs. His duncish love of music, as well as his enkindle in writers such as John Ruskin, who said that ornament is the fall of architecture, also played a compile in the development of Gaudi? s unmingled style. After graduating, Gaudi found comfort in the flourishing city life of turn-of-the light speed Barcelona.Numerous doors were opened for him among the bourgeoisie, artists, and intellectuals of the time. The young architect had a reputation for dressing in the latest fashion, and surrounding himself by last society. However, Gaudi never forgot his working-class roots. His first major(ip) project as a professional architect was workers? housing in a factory, the Coopertiva Mataronese, which was intended to improve the workers? quality of life. Gaudi presented his design at the Paris World sensible in 1878.It was there that he met Eusebi Guell, the man who would become one of the artists closest booster amplifiers and most loyal patrons. In the following years, with rapidly growin g interest in his work, Gaudi took on many heavy projects. Among them was the house built for the wealthy ceramic manufacturer, Manuel Vicens, as well as El Capricho, a villa for the brother-in-law of the Marquee of Comillas. Soon after, Gaudi began design a palace for his good friend Guell (Palau Guell), and then later the two collaborated on Park Guell, which was intended to be a garden city.Gaudi, however, is most recognized for his work on La Sagrada Familia, a ordinal century cathedral in Barcelona. Gaudi took over the project in 1884 after a disagreement between a share of the Temple Council and the original project manager, Fracisco de Paula del Villar (Gaudis former professor), over materials. Antonio Gaudi was a chaste 31 years of age when he officially gained control over the building. The architect devoted the next forty-two years of his life to its construction, until his sudden death at age 74 in 1926.